Chapter 2: The Maniac
In this chapter, Chesterton talks about what makes the madman mad. It is not due to too much imagination or flights of fancy, rather it is due to too much reason and not enough mystery.
The madman latches on to one single, simple idea and then attempts to explain the entire cosmos through the lens of that one idea. Everything else becomes subject to it in seeing, understanding, and explaining. Chesterton labels this first madman as the materialist.
But as Chesterton points out, the individual who does this shrinks the entire cosmos down to the size that his head can fit in, but nothing more. Its ultimate failure is not what it explains, but what it fails to explain.
Taken further, at least the madman above starts with a concept outside himself. Chesterton fears for the madman who is even more limiting and starts from within himself (the person who believes in himself). Why is this worse? Because while the first madman is allowed to believe in a world full of objects external to him, the second madman who begins with himself makes a mythology of everything external to himself.
The sanest man is the one who can accept a cosmos that is broad enough to allow for mystery, while still using reason to understand it, but not understanding all of it. An individual who can hold both the material and the immaterial as viable explanations.
Chapter 3: The Suicide of Thought
Chesterton now takes on the limits of the will (action). This, as Chesterton states, is the “narrowest groove” a person can find themselves in.
To take a particular action means to forego all other options that one could have chosen to take. For instance, when a man marries a woman, he foregoes all other women. When an individual engages in a particular activity, it is to the sacrifice of all other activities at that time.
What one chooses to do at any given moment carries with it a multitude of options that are not being acted upon. This, Chesterton finds as significant. The anarchist wants complete freedom from rules and restrictions, but it is the limitations set by those rules that really allows for true freedom.
A painter is limited by the frame and it is a welcomed limitation. To free a painting from its frame is to destroy art. If an artist wishes to be free of limits and wants to paint a short-necked giraffe, he may choose to do so, but the painting will be of anything but a giraffe. Why? Because a giraffe is limited by its long-neck. The same may be said of the camel. One may wish to free the camel of its hump, but only succeed in freeing the camel from being a camel. One may wish to free a triangle from its three-sides, but to do so destroys the triangle.
If we look at this in modern terms, one may wish to “free” marriage by redefining what it means, but to do so destroys what it actually is.
Previous posts from The Gospel Coalition (GC) and Mere Orthodoxy (MO) in this series:
- Orthodoxy – G.K. Chesterton – Introduction (GC)
- Orthodoxy – G.K. Chesterton – Chapter 1 (MO)
- Orthodoxy – G.K. Chesterton – Chapters 2 & 3 (GC)
Previous posts from Risen Hope in this series:
- Orthodoxy – G.K. Chesterton – Part 1
- Orthodoxy – G.K. Chesterton – Part 2